Visual analysis of an artwork Essay Example | Topics and Well Written Essays - 1000 words

Visual analysis of an artwork - Essay ExampleThe appreciations of Art as a significant and integral part of the society lead to the development of Visual Arts and Film Studies as a discipline of study by the scholars. In that respect, this paper seeks to give a vivid description of the Georges Seurats A Sunday on La Grande gatte which offers a nice scene. This marvelous piece of art is arrange in Museum of Modern Art, New York, New York, the United States of America and reflects the wonderful nature of Art . Seurats balance is c befully positioned and proportioned so that the entire work is fire to look at. The river to the left is full of yachts and rowing boats, while this balance is matched by the closely placed large figures to the right (Seurat and Hajo 36).In the center of the work is a bedevil of activity, which makes the depictions center as appealing to look at as the left and the right. Despite the activity in the piece, however, the artists placing of his figures lends a degree of formality and static to his piece.His end to only depict people facing sideways or straight on makes the entire scene seem very rigid and like spiel soldiers, which was a criticism leveled against the artist at the time. Seurat utilizes this blending technique through his use of shadows. In traditional painting, shadows are primarily represented by the twine black. Following the principles of pointillism, Seurat is able to define his shadows by the color that they come into refer with. The skirts of the women provide the best examples for this. The clothing of the women in the center of the piece seems to be dramatis personae a blue shadow on the ground (Seurat and Hajo 37). Seurats shadows here are not being defined by traditional means but are instead a combination of the colors in its proximity. Here the mix of green provides a blue shadow, which does not follow the conventions of shadow casting. Such a different approach in the creation of shadows is repeated i n the dress of the woman on the right. Where the mix of elucidation and green casts a yellow mob for the trees the same nucleus is mimicked here. The womans dress creates a slight yellow line before the onset of the shadow and this yellow hue can be seen curiously towards the back of her skirt. Furthermore, the shadow of her dress is a slight shade of blue as Seurats green grass dots intermingle with the dress blue and purple dots (Seurat and Hajo 39). Seurats use of light is one of the unique points of the piece. The work is vibrantly portrayed and the magnificence of the sun bathes the scenes inhabitants in a celestial mid-afternoon glow. Where the technique of pointillism shows its unique aspect is where the light from the left comes into contact with people and objects in the piece. The blend of such colors is pointillisms primary concern and as its founder Seurats work epitomizes the technique. The tree line at the top of the painting is one example of such a blended effect . The luminous bright white day to the upper left section of the piece steadily becomes less(prenominal) and less white until it blends seamlessly with the vibrant greens of the trees leaves. Seurats technique means that such tiny dots of white are placed next to dots of green until the relevant effect is actualized (Seurat and Hajo 46).The mix of white and green creates a halo like yellow in parts before it turns fully into green. Seurats techniq